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Literature Text
bent to corners, you are taking on lovers,
forcing out the air that keeps you alive.
there are held-over promises, bled-over secrets,
the slimmest of these should not be taken out of context.
the only hand in the fire,
the grounding of starlight is the grounding of joy,
the safest escape barred, kept dark.
always the take-offs, never the landings, never the good parts.
you are the long blonde long gone, the taken-on.
the slimiest of these should not be given any context.
the biggest of these should not be suffered at all.
forcing out the air that keeps you alive.
there are held-over promises, bled-over secrets,
the slimmest of these should not be taken out of context.
the only hand in the fire,
the grounding of starlight is the grounding of joy,
the safest escape barred, kept dark.
always the take-offs, never the landings, never the good parts.
you are the long blonde long gone, the taken-on.
the slimiest of these should not be given any context.
the biggest of these should not be suffered at all.
Literature
105
I see flashes of who we were, are, could have been
As though reflected in the windows of passing metro trains.
You cannot tell me you love me in your own language,
a language too serious for people like us,
but I see it in your every movement.
I am not so reticent.
I take my heart from my sleeve and pin it to yours.
Chasms pass between us, and doubts circle like wolves,
and we build our bridges and we light our fires,
but I would consume the moon
if it meant you would howl only for me.
Why are we here? My love?
Literature
Siren Song
I want the crook of your shoulder
to bury myself in, breathe deep
until I feel anxiety uncoil inside of me,
melt in the waters of love so deep
fear couldn't step a foot inside without
sighing sweetly for that smell on your skin,
the one that does me in, damns me
and saves me all in the same breath,
I am blessed and never knew
the name of God except the one I thank
for crossing your path with mine,
that divine movement evident only
in the day I looked across the room,
met your eyes and cried, I found you.
Literature
Sand Mandala
One grain at a time
Is how I treated our days together
Each color of each grain
I studied the Tibetan monks—
Their deliberate lean over all that is
The chants that made and moved stones
With the authority of time
The geometry that melded with song and soul
To emerge in carefully placed vibrant pigment
Colors that seared in vision
What a blink or eyes closed in dream still saw
Look away—they’re still there
In moments of silence
A ghost of something, but
Bright shimmering
Essence
Deepest reverence
All things
Everything was there
Each grain
Each color
Handled
Placed—the math, the experience, the grandeur
Intended t
Suggested Collections
groundings. Written October 9, 2005.
It seems I'm taken out of context regularly, so it doesn't really matter what I say here, does it?
It seems I'm taken out of context regularly, so it doesn't really matter what I say here, does it?
© 2014 - 2024 tigereverskin
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